暂无剧情简介

暂无剧情简介

本作は松田本人がMCを務める架空のニュースショー「THE TRUTH」を舞台に、“毒とユーモア”で世間の真実に迫っていく番組だ。豪華ゲストと討論を繰り広げるコーナーをはじめ、料理、英会話、街頭インタビューなど多様な企画が展開するが、どれもこれも役に立ちそうで立たないシュールなものばかり。番組の影のフィクサーも見え隠れし、混迷を極める番組はやがて人間の本質（＝THE TRUTH）をあぶり出していく。キャッチコピーは「ついてこれますか。おいていきますよ。」。

Fabienne是一个女星——是法国影坛巨星。在拥护爱戴她的男人面前她是高高在上的女神。她的女儿因她出版回忆录而带着丈夫和年幼孩子从纽约回到巴黎。母女二人的重聚很快便变成互相指责：真相将被揭露、算清所有前帐，向对方坦然承认自己的爱和怨恨。

"The Gospel Truth" chronicles the lives of 5 Gospel Recording Artist & Public Figures their ups, downs, triumphs, struggles, and stories, of those who desire to inspire the world through their gift. The Gospel Truth gives you a peek inside lives of these Artists/Public Figures while learning and experiencing their compelling truths, and t h o u g h they have real life trials The Gospel Truth allows you to see how they have dealt with and are dealing with these tribulations, struggles, and challenges. You see them juggling the demands of being an Artist/Public Figures. You watch their assertive interesting personalities as they make a daily choice to pursue their dreams. You struggle with them through their failures, cry with them as their storylines unfold one by one, and go with them on their roller-coaster ride of hard work, consistency, and achieving one common goal. While it may not all be pretty, amazing, nor glamorous it is certainly the Gospel Truth.

暂无剧情简介

暂无剧情简介

MRC has acquired rights to This, But Again, a short story by David Iserson. 　　Life is a reoccurring simulation and Marcus is stuck inside it—re-experiencing his life exactly as it was, from the beginning. Until he is able to change just one thing. This, But Again, is a story of love, regret, fate, and a software error that transforms the universe. Iserson, who began his writing career at Saturday Night Live, published the short story as part of Future Tense Fiction.

Two lovers, an archivist, a shopkeeper and a singer haunt the city, wearing self-fashioned evocative costumes in this third collaboration between Asmaa Jama and Gouled Ahmed, who impersonate some of the characters themselves. Manipulating their own family portraits with coloured pencils, the artists critique colonial practices and traumatic histories through processes of reenactment and reclamation. “We are unseen beings, we are bright afterimages” cries the poetry of Jama, echoing the erasure and resurrection of those on the periphery. Enlightened by some of the great Malian studio photographers, such as Seydou Keïta and Malick Sidibé, we are presented with a spectacular mise-en-scène that conjures a generative ritual of awakening. (Ane Lopez) 　　源自：https://bfmaf.org/programme/slow-shift-except-this-time-nothing-returns-from-the-ashes-the-watchman/

Creation refines creativity, drawing from life experiences. Through animation, we depict the protagonist-author's struggles and incorporate symbols to represent pressures, lack of confidence, emotions, and professional competition. Each creator's work encapsulates their own emotions, adding depth to their art.